Core

Electronic piece, 2000

(…) it’s all about time and movement and space they all form the same patterns together at the same time so it makes the heart beat faster and the breath speed up and the body warm up and it generates heat like fire so thats where the movement and gestures relate (…) its all about air and breath and breath generates life and allows more space opens up more space in the body in the pores enters air and water and fire they mingle a continuous spiralling of the spine spiral waves waves continuous waves (…)

Core was composed after an interview with the Canadian dancer and performer Alyson Wishnovska, talking about her sensation during movement and dance.

The composition of the piece is written like a counterpoint between spoken voice and electronics: vibration and momentum, changes from stillness to movement, phases of keeping and losing control, in the very substance of the music. The piece is very gestural, where the interplay with the computer and the analog filters plays an important part in the concert.

Related to: The Moult of the Angel, To Agrippine, Electric Bodyland – See also the credits page.

Extracts :

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

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